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±¸¾à ¼º¼ (ÏÁå³á¡ßö)
(Old Testament)
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Song
of Solomon |
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(äºÊ°) |
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Introduction |
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| Solomon, Song of,
also called CANTICLE OF CANTICLES, or SONG OF SONGS, an Old Testament book that
belongs to the third section of the biblical canon, known as the Ketuvim,
or "Writings." In the Hebrew Bible the Song of Solomon stands with
Ruth, Lamentations, Ecclesiastes, and Esther and with them makes up the
Megillot, five scrolls that are read on various religious festivals of the
Jewish year. This book is the festal scroll for Pesah ( Passover),
which celebrates the Exodus of the Israelites from Egypt. The book in its
present form postdates the Babylonian Exile (5th century BC onward), but the
poems that it preserves date from about the 10th century BC, the period of the
Davidic monarchy. |
¾Æ°¡(¼Ö·Î¸óÀÇ ³ë·¡), ¶ÇÇÑ, Canticle of Canticles, Song of
Songs¶ó°íµµ Çϸç, ¼º¹®¼(ÄÉÅõºö) ȤÀº '±â·Ïµé'(Writings)·Î ¾Ë·ÁÁø
[±¸¾à¼º¼] Á¤°æÀÇ 3¹øÂ° ºÎºÐ¿¡ ¼ÓÇϴ åÀÌ´Ù. È÷ºê¸® ¼º¼¿¡¼´Â
[·í±â]¡¤[¾Ö°¡]¡¤[Àüµµ¼]¡¤[¿¡½ºµ¨]°ú
ÇÔ²² ¸Þ±æ·ÎÆ®, Áï À¯´ë·ÂÀÇ ¿©·¯ Á¾±³ ÃàÀÏ¿¡ ³¶µ¶ÇÏ´Â
´Ù¼¸ µÎ·ç¸¶¸®¸¦ ÀÌ·é´Ù. ÀÌ Ã¥Àº À̽º¶ó¿¤ ¹ÎÁ·ÀÌ
ÀÌÁýÆ®¿¡¼ Å»ÃâÇÑ »ç°ÇÀ» ±â³äÇÏ´Â 'À¯¿ùÀý'(Æä»çÈå)¿¡
³¶µ¶ÇÏ´Â µÎ·ç¸¶¸®ÀÌ´Ù. ÀÌ Ã¥ÀÇ ÇöÀç ÇüÅ´ ¹Ùºô·Ð
À¯¼ö(êëáö) ÀÌÈÄ(BC 5¼¼±â ÀÌÈÄ)¿¡ ÀÛ¼ºµÇ¾úÁö¸¸, ±× ¾È¿¡
´ã±ä ½ÃµéÀº BC 10¼¼±â ´ÙÀ ¿ÕÁ¶ ¶§ ¾²¿©Á³´Ù. |
| The book, whose author is unknown (Solomon's name is a later addition), is a
collection of love poems spoken alternately by a man and a woman. There is no
coherent story in the book. A number of the poems systematically describe the
beauty and excellence of the beloved. The Song of Solomon has received various
interpretations, the most common being allegorical, dramatic, cultic, and
literal. Among Jews, the allegorical interpretation regards the book as an
allegory of God's love for the Israelites, with whom he has made a sacred
covenant. Among Christians, the book is interpreted as describing the covenantal
love of Christ for his church. In medieval mysticism, the Song of Solomon was
construed to apply to the love between Christ and the human soul. |
ÀúÀÚ°¡ ¹àÇôÁöÁö ¾ÊÀº ÀÌ Ã¥(¼Ö·Î¸óÀÇ À̸§Àº ÈÄ´ë¿¡
»ðÀԵǾúÀ½)Àº ³²ÀÚ¿Í ¿©ÀÚ°¡ ¹ø°¥¾Æ°¡¸ç ¸»ÇÏ´Â ¿¬¾Ö½Ã
¸ðÀ½À¸·Î, Ã¥ Àüü¸¦ ÀϰüÇÏ´Â ÁٰŸ®´Â ¾ø´Ù. ±×Áß ¿©·¯
½ÃµéÀº »ç¶ûÇÏ´Â ÀÌÀÇ ¾Æ¸§´Ù¿ò°ú »©¾î³²À» Á¶¸ñÁ¶¸ñ
¹¦»çÇß´Ù. ÀÌ Ã¥Àº ¿©·¯ ¹æ¹ýÀ¸·Î ÇØ¼®µÇ¾î ¿Ô´Âµ¥, °¡Àå
º¸ÆíÀûÀÎ ¹æ¹ýÀº ¾Ë·¹°í¸®Àû ÇØ¼®, ¿¬±ØÀû ÇØ¼®, Á¦ÀÇÀû
ÇØ¼®, ¹®ÀÚÀû ÇØ¼® µîÀÌ´Ù. À¯´ëÀεéÀº ¾Ë·¹°í¸®Àû
ÇØ¼®À» »ç¿ëÇÏ¿© ÇÏ´À´Ô°ú °Å·èÇÑ °è¾àÀ» ¸ÎÀº À̽º¶ó¿¤
¹ÎÁ·¿¡ ´ëÇÑ ÇÏ´À´ÔÀÇ »ç¶ûÀÇ ¾Ë·¹°í¸®·Î ÀÌ Ã¥À»
ÇØ¼®Çϸç, ±×¸®½ºµµ±³µµµéÀº ±³È¸¿¡ ´ëÇÑ ±×¸®½ºµµÀÇ
°è¾àÀû »ç¶ûÀ» ¹¦»çÇÑ °ÍÀ¸·Î ÇØ¼®ÇÑ´Ù. Áß¼¼ ½ÅºñÁÖÀÇ´Â
ÀÌ Ã¥À» ±×¸®½ºµµ¿Í Àΰ£ ¿µÈ¥ °£ÀÇ »ç¶û¿¡ Àû¿ëÇÏ¿©
ÇØ¼®Çß´Ù. |
|
Dramatic interpretations of the Song of Solomon are based on much of the
book's being in dialogue form. According to this view, the speakers in it are
enacting roles in a dramatic love story that varies in outline according to the
particular interpretation. In view of the absence of drama in ancient Semitic
literatures, however, such interpretations are not very probable. The cultic
interpretation views the book as a collection of songs associated with the
practice of sacred marriage as observed by the Sumerians and other ancient
Mesopotamian peoples.
|
ÀÌ Ã¥¿¡ ´ëÇÑ ¿¬±ØÀû ÇØ¼®Àº ÀÌ Ã¥ ´ëºÎºÐÀÌ ´ëÈü·Î
µÇ¾î ÀÖ´Ù´Â Á¡À» ±× ±Ù°Å·Î »ï´Â´Ù. ÀÌ °üÁ¡¿¡ µû¸£¸é,
ÀÌ Ã¥¿¡ µîÀåÇÏ´Â ÈÀÚ(ü¥íº)µéÀº ƯÁ¤ÇÑ ÇØ¼®¿¡ µû¶ó ±×
ÁٰŸ®°¡ ´Þ¶óÁö´Â ±ØÀûÀÎ »ç¶û À̾߱⿡¼ ¹è¿ªÀ» ¸Ã°í
ÀÖ´Ù. ±×·¯³ª °í´ë ¼ÀÁ· ¹®Çп¡¼´Â ¿¬±ØÀÌ ¾ø¾ú´Ù´Â
Á¡À» °¨¾ÈÇÒ ¶§ ±×·¸°Ô ÇØ¼®µÇ¾úÀ» °¡´É¼ºÀº °ÅÀÇ ¾ø´Ù.
Á¦ÀÇÀû ÇØ¼®Àº ÀÌ Ã¥À» ¼ö¸Þ¸£ »ç¶÷µé°ú ±×¹ÛÀÇ °í´ë
¸Þ¼ÒÆ÷Ÿ¹Ì¾Æ »ç¶÷µéÀÌ °ÅÇàÇÏ´ø Á¾±³Àû È¥ÀÎÀǽİú
¿¬°üµÈ ³ë·¡ ¸ðÀ½À¸·Î º»´Ù.
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| The fourth interpretation, and the one that has perhaps gained the most
credence among modern scholars, is simply that the Song of Solomon is a
collection of secular love poems without any religious implications. According
to this interpretation, the songs celebrate the joy and goodness of human love
between the sexes and the sense of inner fulfillment and harmony with God's
creation that arise from such love. |
¿À´Ã³¯ ÇÐÀÚµéÀÌ °¡Àå
½Åºù¼ºÀÖ´Ù°í º¸´Â 4¹øÂ° ¹®ÀÚÀû ÇØ¼®Àº ÀÌ Ã¥ÀÌ
Á¾±³ÀûÀÎ Àǹ̸¦ ÀüÇô ´ã°í ÀÖÁö ¾ÊÀº ¼¼¼ÓÀû ¿¬¾Ö½Ã
¸ðÀ½Áý¿¡ Áö³ªÁö ¾Ê´Â´Ù°í º»´Ù. ÀÌ ÇØ¼®¿¡ µû¸£¸é ÀÌ
Ã¥Àº ¾ç¼º(å»àõ)°£ÀÇ Àΰ£Àû »ç¶ûÀÇ ±â»Ý°ú ¼±ÇÔ, ÀÌ·¯ÇÑ
»ç¶û¿¡¼ ¿ì·¯³ª¿À´Â ³»ÀûÀÎ ¸¸Á·°¨°ú ÇÏ´À´ÔÀÇ
ÇÇÁ¶¹°°úÀÇ Á¶È¸¦ ³ë·¡ÇÑ´Ù°í º»´Ù. |
| Outline
of Contents |
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°³¿ä |
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First
Song
1.1-2.7 |
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Second
Song
2.8-3.5 |
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µÑ° ³ë·¡ |
Third
Song
3.6-5.1 |
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¼Â° ³ë·¡ |
Fourth Song
5.2-6.3 |
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³Ý° ³ë·¡ |
Fifth Song
6.4-8.4 |
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´Ù¼¸Â° ³ë·¡ |
Sixth Song
8.5-14 |
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¿©¼¸Â° ³ë·¡ |
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